Twilight zone best episodes7/5/2023 Almost six decades later, Jordan Peele has picked up that reflective surface, and through his film and upcoming TV show, asked us to see ourselves in a new way. Rod Serling held up a mirror to society, asking us to look at stories of the impossible and see the relatable. He's said that “Us” isn’t directly about race, but with its story of an uncovered past that has remained hidden until it's dangerous, it is certainly about the issues that we are unwilling to reckon with as Americans until it's too late to do so.Ĭonsider the path from Peele's dark comedy work in “ Keanu” to the hybrid of “Get Out” to the horrific “Us” to his upcoming take on “The Twilight Zone,” and it looks like a brilliant series of determined, considered steps by Peele, leading to a stunning career. Peele adds a racial element to this construct, whether it’s the literal ownership of black bodies in “Get Out” or an episode of the new season of “The Twilight Zone” about a racist cop. Man’s capacity to destroy itself and unwillingness to reckon with its own flaws is a consistent theme of Serling’s vision. Treading lightly in the world of spoilers, “Us” becomes a commentary on how we are our own worst enemy (I almost prefer to spell it “US,” as in “United States”). The Wilson family, led by Lupita Nyong’o’s Adelaide and Winston Duke’s Gabe, encounters their doppelgängers, shadow versions of themselves. But if it didn’t, what’s your favorite episode of the show? Sound off in the comments section below.“Us” hinges on a terrifying proposition that would have made Serling smile. I also made an obscure Twilight Zone list, so your favorite might have ended up on there. Opinions are purely subjective, but I think most people would agree with many of the picks on this list. This episode’s not really trying to make any grand point, but from a storytelling perspective, there’s nothing better.Īnd that’s the list. The concept is mind-blowing, and the performances of everybody cringing their way through their entire lives so as not to upset a little boy is the most effective the show has ever been. “It’s a Good Life” is the only episode that has ever actually given me a nightmare. And then he’ll turn them into a jack-in-the-box before he sends them to the cornfield.īy far the scariest, most hair-raising episode in the entire series. He’s telepathic, so nobody in town can even think negative thoughts about him, because he’ll know. Unfortunately, there’s a twist at the end that kind of spoils the rest of the episode, but overall, it’s one of the best in the series.Ī little boy (played by Billy Mumy) has godlike powers, and can basically kill you by just thinking about it. And that image of the dripping paint at the end coupled with the music always gives me the chills. It all feels just way too claustrophobic and uncomfortable, which it’s supposed to. Climate change! How many other shows in the ‘60s were tackling that topic? But the interaction between the two characters (well, three, but I won’t spoil the episode), is great as well. This episode is especially great since it was so ahead of its time. Bronson, who just wants Norma to stop painting the sun and to start painting something cool for a change! Bronson (Betty Garde) are the last people to stay in an apartment complex, but they slowly go insane from the excessive heat. The earth is slowly, but surely, moving closer to the sun, creating an unbearably hot planet Earth.
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